This weekend is the Gallifrey One Convention in Los Angeles, and again, I’m honoured to have been invited as a guest. I’ll be on a few panels and suchlike over the weekend, interviewing Eve Myles on stage and things like that – here are the places I’ll be over the weekend.
So again, the news that Dodge & Twist is once more returning to the screen has hit the internet, and once more I’m getting people emailing me about this. I spoke about this in 2011 when it was first announced, and I spoke about it two years back when Cole Haddon was announced as having written a new draft, but for those who haven’t heard, here it is again.
First off, full credit and good luck to both Edgar Wright and Ahmet Zappa for this film, because it is by now a completely different movie to the story that first appeared, back in 2007, when I pitched Dodge & Twist to AIT/PlanetLar.
So the year draws to a close, and with it a roller-coaster ride of a career path, which has slowly made the transition from comics to film and television, while also moving me into the world of reluctant reader novels. I’ve made some new, amazing friends, reconnected with old ones and I’ve lost people along the way, but at the end of the day, I’m in a far better place than I was at the start of the year – and I wasn’t doing too bad back then.
As pretty much most of you know, I spend a lot of time doing School Talks, going to students around the world with my ‘Change The Channel’ talk, aimed at getting reluctant readers to get back into books, whatever type of book it is. It’s popular, it’s linked to above on the SCHOOL TALK and WORKSHOPS buttons, and most importantly it works. And, due to my writing workload, this year I’ve dropped down to only a couple of talks a month.
I’ve been contacting schools recently to let them know that I’m starting to book the remaining dates of the academic year, and I’ve had a couple of similar sounding conversations this week.
I’ve loved Wrestling all of my life. From a young child I grew up on Saturday lunchtime Wrestling on ITV, watching sports legend Dickie Davies call matches involving such British luminaries as Big Daddy or Giant Haystacks, enjoying the pantomime and pageantry that Wrestling gave me. I knew it wasn’t ‘real’, but at the same time I knew that these guys were athletes, and that the performances that they gave were filled with real danger, and life ending injuries.
It took me thirty years before I’d write any kind of Wrestling related product, and that was the screenplay In The Ring.
The one down side of being in New York for over a week is that I return to find that in two days, the 14th of November is Children In Need night. And anyone who knows me well will know my absolute, total and utter unconditional love for BBC’s Children In Need. Over the last few years I’ve raised thousands of pounds for it, donating my signed personal copies of my Tenth Doctor run of the Doctor Who IDW comic; at Starfury’s The Eleventh Hour convention I (with Jim Swallow) auctioned off a first edition Star Trek: TNG / Doctor Who – Assimilation2 #1 signed by myself and Matt Smith and last year I auctioned off a first edition Winter’s Dawn, Season’s End Hardcover, the first I’d ever signed. This year I’ve decided to make my own, personal payment, my own thank you to both Children In Need and Pudsey the smiling bear – for they both have a special place in my heart. And for those who are new to me and my work, who don’t know why? It’s because Pudsey Bear helped me through one of the toughest periods of my life. He literally saved it, twenty three years ago.
So a while back, I spoke about how I’d started to write a screenplay called The Mild Bunch after a conversation with Frazer Hines. But when the producers we had on board took eighteen months and got nowhere, it was placed back in turnaround in May. That’s when a new producer, Damage Cat Productions came on board. Since then it’s sped along – we have a director in Niall Johnson (Keeping Mum, White Noise), we’ve revamped the screenplay to add some new characters and situations and it’s now speeding towards the finishing line. And I realised that because of the length of time we’ve been doing this, some of you might not know what it is.
It’s a kind of Expendables style movie but starring people I watched throughout my childhood, and it’s awesome, surreal and terrifying, all at the same time. The script’s done, the casting has started and the producers are being spoken to. The whole thing’s speeding along at a great pace.